Jonathon Landreth, “Ai Weiwei’s ‘Zodiac’ is a Mystical Memory Tour,” The New York Times, February 7, 2024
Melissa Chan, “Art, Freedom, and a Menagerie: On Ai Weiwei’s ‘Zodiac’,” Los Angeles Review of Books, January 30, 2024
Ambrose Li, “Hong Kong’s M+ to display work by dissident mainland Chinese artist Ai Weiwei, but curator insists no political message involved,” South China Morning Post, September 21, 2023
Alexandra Tremayne-Pengelly, “Ai Weiwei Discussed the Necessity of Art and Cooperation at the 2023 Clinton Global Initiative,” Observer, September 18, 2023
Lizzie Cohan, “Gorilla Masks and Public Indecency: 5 Artists Who Made Politics Their Practice,” Cultured Magazine, August 17, 2023
Jane Englefield, “Every recognisable object is a "political work" says Ai Weiwei,” Dezeen, August 7, 2023
Yaxue Cao, “An Interview With Ai Weiwei, Part Three: China, the World, and Freedom of Expression,” China Change, July 6, 2023
Yaxue Cao, “An Interview With Ai Weiwei, Part Two: Ruins. Rebars. Water Lilies,” China Change, June 30, 2023
Yaxue Cao, “An Interview With Ai Weiwei, Part One: The Year 2008,” China Change, June 29, 2023
Wenny Tao, “Ai Weiwei: Between Authenticity and Appropriation, “ ArtReview, June 29, 2023
Julia Latané, “Installing Ai Weiwei’s Circle of Animals/Zodiac Heads,” LACMA Unframed, June 27, 2023
Sabrina Roman, “Ai Weiwei Making Sense: Symbolism in the Ordinary,” Metal Magazine, June, 2023
Nancy Durrant, “Ai Weiwei at the Design Museum: ‘We’re building a society on greed and selfishness,’” Evening Standard, April, 2023
“‘The most important factor in design is time and place’ says Ai Weiwei,” Dezeen, May 25, 2023
“Ai Weiwei in conversation with Justin McGuirk,” the Design Museum Podcast, May 2, 2023
Rowan Moore, “Ai Weiwei: Making Sense review – horror, playfulness and delight,” The Guardian, April 9, 2023
Precious Adesina, “Ai Weiwei interview: Everyday objects that reveal the truth,“ BBC Culture, April 7, 2023
Jane Englefield, “Ai Weiwei's first design exhibition celebrates "how life goes on" after the pandemic,” Dezeen, April 5, 2023
Mark Hudson, “Ai Weiwei, Design Museum review: The master provocateur creates timeless beauty from historical objects,” The Independent, April 5, 2023
Megan Jones, “Design as Activism,” Aesthetica, April 4, 2023
Steve Rose, “Ai Weiwei finds peace in Portugal: ‘I could throw away all my art and not feel much,” The Guardian, April 3, 2023
“Ai Weiwei: ‘No matter how I fantasise and struggle, truth still determines my behaviour’,“ Christie’s, March 31, 2023
Gareth Harris, “Stick 'em up! Ai Weiwei invites you to give the middle finger in new online art project,” The Art Newspaper, March 17, 2023
TF Chan, “Ai Weiwei at the Design Museum: a snapshot of design history across eight millennia,” Wallpaper, March 9, 2023
Vivienne Chow, “WikiLeaks Is Showing Classified Government Cables in an Art Exhibition Meant to Raise Awareness About Threats to Free Speech,” artnet news, February 20, 2023
Gareth Harris, “From a marble toilet roll to a giant Lego structure: Ai Weiwei's new London show looks at the value of objects,” The Art Newspaper, January 30, 2023
TF Chan, “Ai Weiwei to sign blank sheets of paper with UV ink for Refugees International in London this weekend,” Wallpaper, December 9, 2022
Simon Schama, “Simon Schama: art versus the tyrants,” Financial Times, December 1, 2022
JAPAN Forward, “Interview | Introducing New Praemium Imperiale Laureate Ai Weiwei,” JAPAN Forward, October 30, 2022
Jonathon Landreth, “Ai Weiwei’s ‘Zodiac’ is a Mystical Memory Tour,” The New York Times, February 7, 2024