American, b. 1971
Lives and works in Pacifica, California
Chris McCaw’s artistic practice is firmly rooted in the history of photography while simultaneously pushing the medium in new directions. His experimental process recalls the work of photography pioneer, Henry Fox Talbot, combined with the slash and burn paintings of Lucio Fontana. McCaw has taken this notion of simultaneous creation / destruction and harnessed the resulting tension, working with the unpredictable process so elegantly that he manages a polished and highly crafted style but one which remains dependent upon the brute and visceral contribution of chance and light and the spin of the earth.
In McCaw’s iconic Sunburn series, the lenses in the artist’s handmade cameras function as magnifying glasses, allowing the sun to literally burn its path across light sensitive negatives that are often solarized—a natural reversal of tonality through over-exposure—in the process. The subject of the photograph (the sun) disrupts the idea that a photograph is simply a representation of reality—instead becoming a physical embodiment of the earth’s movement and the passage of time. In his photographs the horizon line becomes the site on which our own celestial movements are mapped, connecting the viewer to the larger cycles of astronomical time and planetary motion.
His work has been exhibited at the George Eastman House International Museum of Photography and Film, Rochester, New York; Southeastern Center for Contemporary Art, Winston-Salem, North Carolina; Houston Center for Photography; Museum of Photographic Arts, San Diego; Center for Photography at Woodstock, Woodstock, New York; SF Camerawork, San Francisco; San Francisco International Airport Museum; and San Francisco Arts Commission Gallery, among others. His work has been published in many magazines, including Daylight, View Camera, Photo Metro, Raygun, Thrasher, and Maximum Rock ‘n’ Roll. McCaw was recently the recipient of an Andy Warhol/Southern Exposure Grant. His work is in the collections of the George Eastman House; Museum of Fine Arts, Houston; Harry Ransom Humanities Research Center, University of Texas; Museum of Photographic Arts, San Diego; and many private collections.