Meghann Riepenhoff Works | Bio | Press | Exhibition views
“The Power of Place,” Aesthetica, April 1, 2024
Sharon Anderson, “Ansel Adams and West Coast landscape photography at the de Young and Haines Gallery,” Marina Times, May, 2023
“Meghann Riepenhoff - Episode 57,” PhotoWork with Sasha Wolf, February, 23, 2023
“No. 557: Meghann Riepenhoff, Niki De Saint Phalle,” The Modern Art Notes Podcast, July 7, 2022
Margarita Matta, “Exhibition Review: Ice: Meghann Riepenhoff,” Musée Magazine, September 26, 2022
Brianna Maestas, “Amarillo Museum of Art shares ‘Fantastic Visions’ with new, surreal exhibit,” Amarillo Globe-News, June 12, 2022
Max Blue, “Landscape photos with multiple signifiers at Haines and Thacher Galleries,” January 18, 2022, San Francisco Examiner
Renny Pritikin, “Meghann Riepenhoff @ Haines,” Squarecylinder, November 26, 2021
Alisa Ross, “Making It: Getting Started with Cyanotypes,” ARTnews, August 31, 2021
Rebecca Senf, “New Ways of Looking at Landscapes,” Means and Matters, July 14, 2021
“The T List: Five Things We Recommend This Week” The New York Times, April 21, 2021
Staff Report, “High Museum of Art exhibition celebrates women photographers,” The Atlanta Voice, March 15, 2021
Megan N. Liberty, “Meghann Riepenhoff's Littoral Drift and Ecotone,” The Brooklyn Rail, July 9, 2019
Mariah McCloskey, “Book Review: Ecotone/Littoral Drift,” Musee, May 2, 2019
Sarah Sunday, “An Interview with Spotlight Artist: Meghann Riepenhoff,” Musee, March 19, 2019
Charles Desmarais, “‘A Cure for Everything’ offered at Haines Gallery,” San Francisco Chronicle, January 23, 2019
David M. Roth, “A Cure for Everything @ Haines,” Squarecylinder, January 11, 2019
Leah Ollman, “Victorian photographer Anna Atkins’ botanical prints merged science, technology and artistry,” Los Angeles Times, October 9, 2018
Kealey Boyd, “Charting New Territory in Landscape Photography,” Hyperallergic, September 6, 2018
Cori Anderson, “DAM’S New Exhibit Will Change How You Think of Landscape Photography,” 303 Magazine, June 25, 2018
Susan Delson, “In Denver, Landscapes Soaked, Digitized, and Irradiated,” The Wall Street Journal, June 8, 2018
Luciano Marano, “‘Littoral Drift’ on the rise: Bainbridge-based photographer named Guggenheim Fellow,” Bainbridge Island Review, April 18, 2018
“Seascapes without a camera: Meghann Riepenhoff’s cyanotypes,” The Guardian, February 23, 2018
Zack Hatfield, “Photographs Made with the Ocean Capture Its Swelling Rhythms,” Hyperallergic, April 4, 2017
Laura Mallonee, “The Ocean Made These Wild Photos. Yes, Really,” Wired, August 30, 2016
McNair Evans, “Meghann Riepenhoff: The Sates Project: California,” Lenscratch, August 14, 2016
Jessica Zack, “S.F. artist Meghann Riepenhoff works with waves on abstract works,” SF Gate, January 4, 2016
Charles Desmarais, “Meghann Riepenhoff’s grand (and pretty) experiments,” SF Gate, December 18, 2015
Roula Seikaly, “'Littoral Drift' Delivers Chaos with a Dash of Control at SF Camerawork,” KQED Arts, December 18, 2015
Allie Haeusslein, “Q&A: Meghann Reipenhoff,” Strange Fire Collective, October 20, 2015
“The Power of Place,” Aesthetica, April 1, 2024