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Linda Connor:
Earth and SkyApril 14 - May 11, 2024
“Above all, I’m interested in the power of imagery — in how a medium as factual as photography can evoke responses on the border between the world we know, and the one we can’t.”
Haines Gallery proudly presents Earth and Sky, a solo exhibition highlighting seminal images from Linda Connor's distinguished practice, reproduced as luminous sublimation prints on aluminum.
Throughout her career, Connor has traveled extensively with her 8x10 view camera, investigating remote landscapes and the sacred and spiritual worlds across multiple continents. Her peripatetic approach to photo-graphy demonstrates a longstanding interest in the relationship between systems of belief and the natural landscape, resulting in profound images of wide-ranging subjects.
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Bridging the terrestrial and the celestial, Earth and Sky includes images from Connor’s ongoing series Once the Ocean Floor, which depicts the intricately jagged cliff faces in Nepal and the mountainous Ladakh region in Northern India — carved over millennia by the power of nature, as well as iconic images of the cosmos.
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If photographers are soul-stealers, whose soul is beingstolen in the photograph of the night sky?The eyes of the last one to go to bed and the eyesof the first one to rise, perhaps?
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In 1995, Connor began printing with the historic glass plate negatives in the archives of California’s Lick Observatory, located at Mt. Hamilton just east of San Jose. Numbering in the thousands, the Lick Observatory has one of the most extensive collections of glass plate negatives, most of which have not been used to make prints since their original production in the late 19th century. In both cases, time — the latent subject of every photograph — moves both backward and forward, as we traverse its geological and astronomical aspects in order to locate ourselves within a universe defined solely by flux.
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Photography is a black art like alchemy. It turnsmatter into spirit and spirit into matter.Still, there are moments when we have a hunch whatthe word soul means, what the word infinity encompasses.
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In Connor's hands, the camera is not an instrument of precise control; instead, she leaves her process open to unknown possibilities. She usually makes unmetered exposures and has a proclivity for photographing in uncontrollable situations. What results are contemplative, quietly powerful images invoke a sense of timelessness and invite us to contemplate our place in the world, and emphasize the ethereal, diffused light so signature to her imagery.
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Poems by Charles SimicInstallation photography: Robert Divers Herrick
Images from the Lick Observatory series courtesy of the Lick Observatory Historical Collections Project, copyright Regents of the University of California